Tuesday, June 17, 2025

Pretty Darn Small Show 2025

 Hardy & Nance put on an annual small works show called Pretty Darn Small, and I am showing the maximum number of pieces, eight. These are cut from a flip book I made in 2023:












They are 4x4", acrylic and collage (hand-painted and gel printed papers) on watercolor paper, and they will be mounted on cardboard that has been sealed with GAC100 so that it does not discolor the paintings. the back of the paintings will be set up so that they "float" in front of the wall.

Here is the prototype for these artworks (shadow shows that it floats):






Thursday, April 24, 2025

Hawthorn / Huath Process (or Saga!)


I am working on a series of paintings inspired by the ancient Irish Ogham Tree Alphabet. The letters were carved into stones throughout Ireland, and they were associated with particular trees. The tree letter I worked on the past few weeks was Huath, which is correlated with the Hawthorn. I collected a few photos of hawthorn trees and bushes and they were mostly covered with white five-petaled blossoms. I drew abstract forms on my wood panel, the ones I use a lot: the double vesica piscis, symbolizing twin souls or love; the arch, which can be thought of as a portal, the spiral, a well-known Celtic symbol, and a sort of "donut" shape, which I simply like. I also drew some small flowers and leaves and the bird connected with the hawthorn, the owl.

Then I added some large hawthorn flower shapes, but they just competed with the larger abstract shapes, so, disgusted, I covered the background with iridescent green paint:



At that point I had no idea what to do with the painting. I disliked the shiny green, but I could notcome up  with a way to tie it to the hawthorn. After a couple of months I was watching a video of an art teacher, and she suggested working in Procreate as a sketchbook. I didn't know how to use Procreate very well, but I searched for how to put a transparent layer on an image, and started playing. I looked for more photos online of the hawthorn, and found a branch that seemed graceful and interesting, with leaves and berries. 


I pulled that photo into procreate and traced it, to make this simple drawing:

I copied the branch drawing onto a transparent layer three times, in different angles, and colored it in the way I wanted it to look over my abstract shapes.
Now I was getting somewhere! I drew the branches onto the painting and eliminated the large flower shapes at the same time. I also drew waving lines through the entire image, and began to fill them in with mixtures of my chosen palette, which was Benzimidazalone Yellow, Quinacridone Magenta, Naphthol Red Light, and Phthalo Turquoise. I also made a mixture of all four pigments to use as a "mother color", which is one way to harmonize colors. The swatches are the pure colors, and below them are the colors with a bit of the mother color added. They are much more compatible, at least to my eye, with the mother color mixed in.
This painting had promise, and I might have left it there, but I was not satisfied. I took a photo of it and pulled the image back into Procreate, to make some experimental versions of it:

Okay so now what? Meanwhile, my daughter Laura was telling me about her playing with Chat GPT to do mockups of her project of inspiration cards. I decided to follow her lead and I got the app on my iPad and told it what I was working on, asking for ideas on how to get this painting to work. ChatGPT noticed that I had used the larger shapes from my series, but that the other paintings also had smaller shapes, like spirals, in the background. I added those and then experimented in Procreate again, trying to integrate the elements.  I asked ChatGPT to come up with mockups of a successful painting. It came up with two mockups that were not exactly going in the direction I wanted, but I gleaned a concept from them anyway. 
These two mockups are what ChatGPT could create. they gave me two basic ideas: one, glaze the background collage elements to push them backwards, and two, paint the abstract shapes one color each, so that they do not contain smaller components that compete with the main focus, the branches.

Here it is with the collage pieces added, before I worked on the background.


I simplified the abstract shapes using various mixtures of the reds and glazed the collage pieces with Phthalo Turquoise, to knock them back. This is the final version, Hawthorn / Huath. I am quite pleased with it and I uploaded it onto my website as well as posting it on Instagram.

Sunday, February 02, 2025

I Ching Hexagram Painting Series So Far

This is a series of 64 paintings, done on expensive heavy watercolor paper. It is a series that could take the rest of my life to complete.

Progress



 






















Heaven


























Grace


























Darkening of the Light


























Fellowship

























Inner Truth


Progress / Flourishing / Recognition - I Ching Hexagram #35

Chin, Jin, Qian, a Chinese character meaning progress, flourishing, recognition. The hexagram shows the sun rising above the earth. I have been painting my interpretation of these hexagrams, using heavy watercolor paper and putting a white border around the acrylic and collage paintings. I have usually asked the I Ching which hexagram to interpret, but this time I wanted to portray the light growing, because so much darkness has seemed to pervade human society recently. Below are two ways of drawing the character.














Monday, January 27, 2025

Golden Fire

 I was going to add collage and marks but this is so lovely. It might be a way to start a new I Ching painting; anyway, I want to leave it as it is.

Golden Fire


Saturday, January 25, 2025

... But Beautiful

Sketchbook spread January 24, 2025. A little scattered, but beautiful. The title refers to a Billy Holiday song by the same title, with the lyrics:

"Love is funny or it's sad
It's quiet or it's mad
It's a good thing or it's bad
But beautiful ..." 

But Beautiful

Wednesday, January 15, 2025

Evil Inevitably Destroys Itself ...

This photo has a lot of glare. In the morning, I will shoot another pic of this spread and I am sure it will be much better.

I Ching Quotation


 

Tuesday, January 14, 2025

Coppery!

Today's collage sketchbook spread. Orange and red violet, what a pair! Plus all the copper. I like it.

Uplifting



 

Monday, January 13, 2025

Jumble collage today






I worked on these 10x8" paintings yesterday, and I got to this point and did not know what to do next. They are very dark, with lots of pattern; plus collage papers that are thick and make the surface very uneven. So I printed them out on my inkjet printer, coated them with matte medium (using the gel plate), and attached them to my collage sketchbook. Today I added a lot of collage elements that are much more in the blue-green / red-orange spectrum. I am not sure that would work on the original paintings, but it was fun to do. Looks like a jumble! 




Chaotic Feelings

Friday, January 10, 2025

Collage Sketchbook Spreads

January, 2025, working in my large sketchbook. Each page is 8.5x11", so a spread is 17" wide. I am working on these as two-page spreads so far, although I did do the red one to face an existing gel print page which has gold with red-orange shapes.

Lunar New Year


May You Be Well


Peachy


Regal Circles

Thursday, January 02, 2025

Huathe / Hawthorn January 1, 2025

I put a yellow glaze on the painting with contact-paper masks to make it lighter and brighter. I find that I really like it at this stage. Lots more to come of course.

Huathe / Hawthorn

 

Wednesday, December 25, 2024

"Rising" Series

 When I get to a certain point in my paintings, I don't know what to do next. Is it, are they, finished? Do they need something more? At that point I have to wait to find out. I look at them and ask that question mentally, and immediately I get and answer. Should I do more to this piece, this series? No! Wait! Let it rest (on the president's desk?)! These may or may not be finished. Enjoy!

Rising I


Rising II


Rising III


Rising IV


Rising V


Rising VI



Ethereal Spheres

 "Ethereal Spheres" is an experimental painting using interference paint. It looks different depending upon the angle of the viewer. It is 24x24x2", acrylic and collage on cradled wood panel. It may be finished?

Ethereal Spheres



Green Bay I and II


"Green Bay I and II", abstracted landscapes, acrylic on canvas, 36x24x1", available. Contact me at ellecoyoteart@gmail.com to purchase. I grew up in Green Bay, Wisconsin, a short drive from the actual bay. I took a photo of this view of the bay, looking south from the eastern shore of Door Peninsula, and these are the second and third paintings I did from it. I added so many abstract shapes and patterns that the landscapes are fairly obscured, but they are visible if you look for them.

Green Bay I


Green bay II


 

Friday, September 20, 2024

Dancer I and II (II reworked)

I was satisfied with Dancer I but II for some reason I could not get to work out. I kept thinking it was the color of the background, and I kept changing it. Finally I realized there was not enough contrast and color variation in the circular collages, and I changed those. Now I love both of them!

Dancer I

Dancer II